Russia does not distinguish between the various levels of civilization, or between racial and religious differences. In theory the Empire is one and indivisible, and every one has the same rights (or absence of rights) and the same duties, except in the case of the Poles and the Jews who are in a position of exceptional disability, and of the Finns who, until a few years back, enjoyed a wide measure of autonomy which they have recently regained. The Russians have none of that feeling of racial superiority over their non-Russian subjects, even when the latter are of a different religion and colour, such as the English feel with regard to the natives of India. A Georgian, an Armenian, an Osset, even a Tartar or a Persian may aspire to the highest ranks in the army or the bureaucracy. Russian soldiers, officers, and officials have no repugnance to serving under a non-Russian chief, whether he is white, brown, or yellow, Christian or Mohammedan. Thus we find Georgian generals like Prince Chavchavadze and Prince Orbeliani, Armenian generals like Lazareff, Loris Melikoff, Argutinsky, and Tergukassoff, Tartar generals like Alikhanoff Avarsky, Georgian governors like Tsitsiani and Nakashidze, not to mention many officers and civil servants of lower rank. Nor is there even any objection to non-Russians receiving appointments among peoples of their own race. Socially, too, they are treated as equals, and Georgian, Tartar, and Armenian magnates are received in the highest circles of Russian society, and even intermarry with the Russian aristocracy, although intermarriage does not occur between Christians and Mohammedans. But in order to obtain these advantages, a native of the Caucasus must conform with Russian ideas and become more or less Russified, and almost forget his own nationality, not because the Russian is a chauvinist, but because he suspects the loyalty of every one who is not a Russian in sentiment if not by race.
Luigi Villari, Fire and Sword in the Caucasus (1906)
Wednesday, February 29, 2012
Race and other antiquated concepts
One of the most interesting things about reading nineteenth and early twentieth century (and, unfortunately, even many contemporary) historians and anthropologists is their focus upon -- even obsession with -- race and ethnicity. Luigi Villari, in his 1906 account of the Caucasus, spends approximately half of the first chapter detailing the "races" who live in the area, stating, among other absurd notions, that he can "scientifically" classify them into two major categories: white and yellow. I found this passage particularly interesting, as Villari, with his Western European concepts of nationality and race, is confronted with the older, more sane ideas of race as found in the Russian Empire in his day:
Monday, February 27, 2012
Clean Monday
"You too shall become as I am."
Grant not unto me a spirit of idleness,
of discouragement,
of lust for power,
and of vain speaking.
But bestow upon me, Thy servant,
the spirit of chastity,
of meekness,
of patience,
and of love.
Yea, O Lord and King,
grant that I may perceive
my own transgressions,
and judge not my brother,
for blessed art Thou
unto ages of ages.
Amen.
Sunday, February 26, 2012
Friday, February 24, 2012
Five minutes in heaven
This is a beautiful performance of the "Our Father" from Sergei Rachmaninov's setting for the Divine Liturgy of St. John Chrysostom. The icon of Christ is by St. Andre Rublev. Spend five minutes in heaven.
Thursday, February 23, 2012
Raskol: The Schism of the Old Believers
The raskol, or great schism, of the Old Believers, or Old Ritualists, from the Russian Orthodox Church in 1666-7 is one of the most important events in the history of the Russian Orthodox Church. As the only major schism in the history of Russian Orthodoxy, the raskol has had a significant effect on the self-image of the Russian Orthodox Church. In addition, a study of the history of the schism is also helpful in illuminating certain aspects of the nature of faith and worship in Eastern Orthodoxy as a whole.
Beginning early in the 17th century, leaders of the Russian Orthodox Church recognized the need for a reform of morality and liturgy in Russia. Just as in most of Europe, in spite of “the political successes of Christianity and the Church ... the inculcation of Christian belief among the people” remained incomplete in Russia throughout the Middle Ages.1 This incomplete Christianization, according to historians Nicholas V. Riasanovsky and Mark D. Steinberg, led the “the often less than knowledgeable laity” in Russia as elsewhere in Europe “to mix Christian and traditional folk beliefs and practices.”2
In attempts to address this problem, reformers such as the Archpriest Avvakum “sought to improve the celebration of the liturgy and to bring a higher moral and spiritual tone to parish life.”3 Known as “the Zealots of Piety,” “they advocated better preaching, proper celebration of the liturgy, and bringing the moral teachings of Christ into everyday life.”4
To this end, the Church began to use the new technology of the printing press to print and disseminate educational materials for Russian Orthodox Christians, including prayer manuals and service books. A concern developed, especially in the light of certain differences between the Russian and Greek practices, that these new printed books be as accurate as possible. As historian of Russia Bernard Pares points out, if there were any errors in the Russian practices these “errors would become far more harmful from the moment when they were widely circulated in print.”5
“The matter” of correcting the service books “was taken up … with great vigour by the Patriarch Nikon.”6 In 1653 and 1654, Nikon led the push to correct the Russian service books, bringing them into conformity with contemporary Greek Orthodox practice. Among the changes made were altering the way the sign of the cross was performed by a believer from using two fingers to using three, changing the number of loaves of bread used for the Eucharist from seven to five, changing the way that bows and prostrations were done during prayers, and altering the Russian spelling of the name of Jesus.
These changes in important and common Orthodox practices such as the sign of the cross and the sacrament of the Eucharist caused a major backlash among many Russian Christians. Reformers like Avvakum, who had formerly seen Nikon as an ally, now turned against him and particularly against his heavy-handed implementation of the new practices. Finally, in 1666 and 1667, church councils were called to consider the matter. While ruling against Nikon, they ruled in favor of his reforms. Simultaneously, Nikon was deposed from the Patriarchate and the schism of the Old Believers, those who refused to accept the new service books, was solidified. A widespread and harsh persecution of the Old Believers promptly followed the decisions of the councils; even Avvakum himself was burned at the stake in 1682.7

“The raskol,” because it “constituted the only major schism in the history of the Orthodox Church in Russia,” has had a profound impact on the self-image of the Russian Orthodox Church.8 A clear example of this impact can be seen in a passage from the still widely popular early 19th century Russian spiritual novel The Way of the Pilgrim. In the passage, the anonymous pilgrim encounters a Raskolnikov, a member of one of the Old Believer sects who launches into a criticism of the mainstream Russian Orthodox Church, alleging that their liturgy is filled with distractions, distortions, and disorder, concluding that “in your Church it is not clear whether one is in the house of God or at a market!”9 The pilgrim's response is, interestingly, not to argue; instead, he writes,
That the Old Believer could be seen in such a way is due to the peculiar nature of their schism, a nature which also highlights important aspects of Eastern Orthodox faith. In contrast to Christians “in the West” at the same time as the raskol who “turned against their ecclesiastical authorities because they wanted changes; in Russia, believers revolted because they refused to accept even minor modifications of the traditional religious usage.”11 In other words, the Protestant schism from Roman Catholicism was a schism of those who wanted significant changes in their Church's beliefs and practices, whereas the schism of the Old Believers from the Orthodox Church was a conservative one in protest against changes; they held “that it was the Church which had departed from them and not they from the Church.”12 This difference in the nature of two contemporary Christian schisms highlights the conservative nature of Orthodox belief as one that intrinsically resists change. In another example of the kind of self-awareness fostered by the schism of the Old Believers, and still present today in the Orthodox Church, Timothy (now Metropolitan Kallistos) Ware uses the example of the Old Believers as a warning against allowing conservativism to lead to stagnation in his book The Orthodox Church, stating that they “fell into an extreme conservativism which suffered no change whatever in traditions” that were of relatively little importance.13

That most of the changes against which the Old Believers caused a schism in protest were so apparently miniscule is another element of the raskol which helps to shed light on Eastern Orthodoxy as a whole. The importance of liturgy and ritual can be seen throughout the history of Russian Orthodoxy and of Eastern Orthodoxy in general. The root words for the Greek word “orthodox” are “orthos,” meaning “right,” and “doxa,” which can mean both “belief” and “glory.” This latter meaning of the word “doxa” is reflected in the Slavonic translation for the word “Orthodox”: “pravoslavie,” meaning “right praise.” Similarly, it is significant that the story most commonly told about St. Vladimir's decision to convert Kievan Rus' to Orthodox Christianity is a story about Orthodox worship.
This focus on correct worship in Orthodoxy, and especially in its Russian tradition, seems also to be reflected in the schism of the Old Believers. If theirs was indeed pravoslavie, right praise, then these changes must of necessity, they thought, be wrong praise. Any of even the slightest change in the manner of worship is ultimately a change in the faith itself, hence why they called themselves “Old Believers” rather than “Old Ritualists” as their opponents referred to them. A passage from Avvakum's autobiography demonstrates this understanding; according to Avvakum, he was brought before a group of bishops who appealed to him:
Bacovcin, Helen, translator. The Way of a Pilgrim and The Pilgrim Continues His Way
. New York: Doubleday, 2003.
Pares, Bernard. A History of Russia
. New York: Dorset Press, 1953.
Riasanovsky, Nicholas V. and Mark D. Steinberg. A History of Russia, Eighth Edition
. New York: Oxford University Press, 2011.
Riha, Thomas, editor. Readings in Russian Civilization, Volume 1: Russia Before Peter the Great, 900-1700
. Chicago: The University of Chicago Press, 1969.
Sorokowski, Andrew. “Christianization, De-Christianization, Re-Christianization.” RISU. 20 January, 2011 (accessed 18 February 2012) http://www.chicagomanualofstyle.org/tools_citationguide.html
Ware, Timothy. The Orthodox Church: New Edition
. New York: Penguin Books, 1997.
Beginning early in the 17th century, leaders of the Russian Orthodox Church recognized the need for a reform of morality and liturgy in Russia. Just as in most of Europe, in spite of “the political successes of Christianity and the Church ... the inculcation of Christian belief among the people” remained incomplete in Russia throughout the Middle Ages.1 This incomplete Christianization, according to historians Nicholas V. Riasanovsky and Mark D. Steinberg, led the “the often less than knowledgeable laity” in Russia as elsewhere in Europe “to mix Christian and traditional folk beliefs and practices.”2In attempts to address this problem, reformers such as the Archpriest Avvakum “sought to improve the celebration of the liturgy and to bring a higher moral and spiritual tone to parish life.”3 Known as “the Zealots of Piety,” “they advocated better preaching, proper celebration of the liturgy, and bringing the moral teachings of Christ into everyday life.”4
To this end, the Church began to use the new technology of the printing press to print and disseminate educational materials for Russian Orthodox Christians, including prayer manuals and service books. A concern developed, especially in the light of certain differences between the Russian and Greek practices, that these new printed books be as accurate as possible. As historian of Russia Bernard Pares points out, if there were any errors in the Russian practices these “errors would become far more harmful from the moment when they were widely circulated in print.”5
“The matter” of correcting the service books “was taken up … with great vigour by the Patriarch Nikon.”6 In 1653 and 1654, Nikon led the push to correct the Russian service books, bringing them into conformity with contemporary Greek Orthodox practice. Among the changes made were altering the way the sign of the cross was performed by a believer from using two fingers to using three, changing the number of loaves of bread used for the Eucharist from seven to five, changing the way that bows and prostrations were done during prayers, and altering the Russian spelling of the name of Jesus.
These changes in important and common Orthodox practices such as the sign of the cross and the sacrament of the Eucharist caused a major backlash among many Russian Christians. Reformers like Avvakum, who had formerly seen Nikon as an ally, now turned against him and particularly against his heavy-handed implementation of the new practices. Finally, in 1666 and 1667, church councils were called to consider the matter. While ruling against Nikon, they ruled in favor of his reforms. Simultaneously, Nikon was deposed from the Patriarchate and the schism of the Old Believers, those who refused to accept the new service books, was solidified. A widespread and harsh persecution of the Old Believers promptly followed the decisions of the councils; even Avvakum himself was burned at the stake in 1682.7

“The raskol,” because it “constituted the only major schism in the history of the Orthodox Church in Russia,” has had a profound impact on the self-image of the Russian Orthodox Church.8 A clear example of this impact can be seen in a passage from the still widely popular early 19th century Russian spiritual novel The Way of the Pilgrim. In the passage, the anonymous pilgrim encounters a Raskolnikov, a member of one of the Old Believer sects who launches into a criticism of the mainstream Russian Orthodox Church, alleging that their liturgy is filled with distractions, distortions, and disorder, concluding that “in your Church it is not clear whether one is in the house of God or at a market!”9 The pilgrim's response is, interestingly, not to argue; instead, he writes,
When I heard all of this, I realized that the man was an Old Believer, but because he spoke to the point I could not argue with him or try to convert him. I only thought to myself that at this time it is impossible to convert Old Believers to the true Church. First we must improve our church services, and the clerics especially should take a lead in this. The Old Believers are preoccupied with the external aspects of worship and they don't seem to be aware of the interior man, while we are careless about the externals.10This new self-awareness following the raskol allowed the Old Believers, in the eyes of Russian Orthodox, to act in a manner similar to the “virtuous pagan” in medieval Christianity, as a source of inspiration through shame which should prompt the Christian to better behavior.
That the Old Believer could be seen in such a way is due to the peculiar nature of their schism, a nature which also highlights important aspects of Eastern Orthodox faith. In contrast to Christians “in the West” at the same time as the raskol who “turned against their ecclesiastical authorities because they wanted changes; in Russia, believers revolted because they refused to accept even minor modifications of the traditional religious usage.”11 In other words, the Protestant schism from Roman Catholicism was a schism of those who wanted significant changes in their Church's beliefs and practices, whereas the schism of the Old Believers from the Orthodox Church was a conservative one in protest against changes; they held “that it was the Church which had departed from them and not they from the Church.”12 This difference in the nature of two contemporary Christian schisms highlights the conservative nature of Orthodox belief as one that intrinsically resists change. In another example of the kind of self-awareness fostered by the schism of the Old Believers, and still present today in the Orthodox Church, Timothy (now Metropolitan Kallistos) Ware uses the example of the Old Believers as a warning against allowing conservativism to lead to stagnation in his book The Orthodox Church, stating that they “fell into an extreme conservativism which suffered no change whatever in traditions” that were of relatively little importance.13

That most of the changes against which the Old Believers caused a schism in protest were so apparently miniscule is another element of the raskol which helps to shed light on Eastern Orthodoxy as a whole. The importance of liturgy and ritual can be seen throughout the history of Russian Orthodoxy and of Eastern Orthodoxy in general. The root words for the Greek word “orthodox” are “orthos,” meaning “right,” and “doxa,” which can mean both “belief” and “glory.” This latter meaning of the word “doxa” is reflected in the Slavonic translation for the word “Orthodox”: “pravoslavie,” meaning “right praise.” Similarly, it is significant that the story most commonly told about St. Vladimir's decision to convert Kievan Rus' to Orthodox Christianity is a story about Orthodox worship.
This focus on correct worship in Orthodoxy, and especially in its Russian tradition, seems also to be reflected in the schism of the Old Believers. If theirs was indeed pravoslavie, right praise, then these changes must of necessity, they thought, be wrong praise. Any of even the slightest change in the manner of worship is ultimately a change in the faith itself, hence why they called themselves “Old Believers” rather than “Old Ritualists” as their opponents referred to them. A passage from Avvakum's autobiography demonstrates this understanding; according to Avvakum, he was brought before a group of bishops who appealed to him:
“Why are you stubborn? All our people of Palestine, and the Serbs, and the Albanians and Valachians and Romanians and Poles, all cross themselves with three fingers. You alone in your obstinacy cross yourself with two fingers. This is not fitting.” And I, miserable wretch, how bitter I felt! But I could do nothing. I reproved them as well as I could, and my last word was: “I am uncorrupted, and I shake the dust from my feet, for it is written: 'Better is one that feareth God, than a thousand ungodly.'”14It is only with an awareness of the profound importance with which the act of worship is regarded by Eastern Orthodox believers that passages like this and the raskol as a whole become understandable, and the raskol in turn highlights this aspect of Eastern Orthodox faith just as it highlights its essentially conservative nature. The Old Believers, in all of this, have been able to act as a mirror for the mainstream of the Orthodox Church by which it has been able to measure itself in comparison. Their continued existence in Russia and elsewhere to this day continues to allow them to be seen this way by the mainstream of Orthodox Christianity.
Notes
1 Andrew Sorokowski, “Christianization, De-Christianization, Re-Christianization,” RISU, 20 January, 2011 (accessed 18 February 2012) http://www.chicagomanualofstyle.org/tools_citationguide.html
2 Nicholas V. Riasanovsky and Mark D. Steinberg, A History of Russia, Eighth Edition
(New York: Oxford University Press, 2011), 196.
3 Ibid., 197.
4 Ibid.
5 Bernard Pares, A History of Russia
(New York: Dorset Press, 1953), 164.
6 Ibid.
7 Riasanovksy and Steinberg, 199.
8 Ibid., 200.
9 Helen Bacovcin, trans., The Way of a Pilgrim and The Pilgrim Continues His Way
(New York: Doubleday, 2003), 112.
10 Ibid.
11 Riasanovsky and Steinberg, 200.
12 Pares, 167.
13 Timothy Ware, The Orthodox Church: New Edition
(New York: Penguin Books, 1997), 198.
14 Thomas Riha, ed., “Avvakum's Autobiography,” Readings in Russian Civilization, Volume 1: Russia Before Peter the Great, 900-1700
(Chicago: The University of Chicago Press, 1969), 139.
2 Nicholas V. Riasanovsky and Mark D. Steinberg, A History of Russia, Eighth Edition
3 Ibid., 197.
4 Ibid.
5 Bernard Pares, A History of Russia
6 Ibid.
7 Riasanovksy and Steinberg, 199.
8 Ibid., 200.
9 Helen Bacovcin, trans., The Way of a Pilgrim and The Pilgrim Continues His Way
10 Ibid.
11 Riasanovsky and Steinberg, 200.
12 Pares, 167.
13 Timothy Ware, The Orthodox Church: New Edition
14 Thomas Riha, ed., “Avvakum's Autobiography,” Readings in Russian Civilization, Volume 1: Russia Before Peter the Great, 900-1700
Bibliography
Pares, Bernard. A History of Russia
Riasanovsky, Nicholas V. and Mark D. Steinberg. A History of Russia, Eighth Edition
Riha, Thomas, editor. Readings in Russian Civilization, Volume 1: Russia Before Peter the Great, 900-1700
Sorokowski, Andrew. “Christianization, De-Christianization, Re-Christianization.” RISU. 20 January, 2011 (accessed 18 February 2012) http://www.chicagomanualofstyle.org/tools_citationguide.html
Ware, Timothy. The Orthodox Church: New Edition
Wednesday, February 22, 2012
"God" by Gavril Romanovich Derzhavin (1784)
O Thou, who's infinite in space,
Alive in ever-moving matter,
Eternal in the flow of time,
God faceless, with a trinity of faces!
Soul unified and omnipresent,
Who needs no place or reason,
Whom none can ever comprehend,
Whose being permeates all things,
Encompassing, creating, guarding,
Thou, called by us God.
Although a great mind might contrive
To fix the ocean's depths,
To count the sands, the rays of stars,
Thou can't be summed or fixed!
Enlightened souls who have emerged
From your creative light
Cannot begin to grasp your ways:
Our thought alone aspires to thee,
But in your magnitude is lost,
A moment in eternity.
From depths eternal thou invoked
Primordial substances of chaos
Within thine very self thou birthed
Eternity before all time.
And before time from thine self alone
Thou shinest forth within thyself.
All light originates in thee.
Creating all with but a single word
And reaching forth in new creation,
Thou wast, thou art, and thou will ever be!
Thou incarnate the chain of life,
Thou nourish and sustain it.
Thou joinest starts with ends.
Thou bringest life to all through death.
New suns are born from thee
In flowing streams of sparks.
As on a clear and freezing day,
A hoarfrost dusting shines,
And floats, and churns and sparkles,
As do the stars beneath thy vault.
A multitude of shining spheres
Floats off into infinity.
They all fulfill thy laws,
And cast their vivifying rays.
But all these brilliant lanterns-
This mass of glowing crystal-
This roiling crowd of golden waves-
These burning elements-
Or all these gleaming worlds as one-
Compare to thee like night to day.
Compared to thee the earthly realm
Is like a droplet in the sea.
What is this universe I see?
And what am I, compared to thee?
If, in this airy sea, I wish
To multiply a million worlds
By other worlds a hundred times-
Then venture to compare the sum to thee,
All this would be a tiny speck;
So I, compared to thee, am naught.
I'm Naught! But thou shinest through me
With all the splendor of your virtue;
Thou showest yourself through me
Like sun inside a tiny water drop.
I'm Naught! But still I can feel life,
Like something hungering I fly,
I'm always soaring high above.
To be with you is my soul's wish,
It contemplates, reflects and thinks:
If I exist - thou art as well.
Thou art! As nature's order shows,
My heart affirms the same to me,
My reason's sure of it:
Thou art - And I'm no longer naught!
A fraction of the universe's whole,
It seems that I repose in nature's
Critical center where you started
With the creation of corporeal beasts,
And ended with the heav'nly spirits:
Through me, you fused the chain of life.
I am the link of all existing worlds,
I am the outer brink of matter,
I am the focal point of living things,
I am the starting place of the divine;
Although my flesh rots into ash,
My mind commands the thunderbolts,
I'm king - I'm slave - I'm worm - I'm God!
But though I am miraculous,
Whence did I come? - that no one knows.
I could not by myself have risen.
Creator, I am your invention!
I am a creature of your wisdom.
O, source of life, bestower of blessings,
My soul and king!
According to your iron laws
My self eternal must needs pass
Across the borne of death;
My spirit's clothed in mortal garb
And I return through death alone,-
To your eternity - O, father!-
Thou art inscrutable, transcendent!
I understand that all my soul's
Imaginings are powerless
Your shadow to describe;
But when thou must be glorified
To pay such tribute we frail men
One course alone can follow.
We venture upwards to thy realm,
To lose ourselves in thy vast otherness
And shed our tears of gratitude.
Alive in ever-moving matter,
Eternal in the flow of time,
God faceless, with a trinity of faces!
Soul unified and omnipresent,
Who needs no place or reason,
Whom none can ever comprehend,
Whose being permeates all things,
Encompassing, creating, guarding,
Thou, called by us God.
Although a great mind might contrive
To fix the ocean's depths,
To count the sands, the rays of stars,
Thou can't be summed or fixed!
Enlightened souls who have emerged
From your creative light
Cannot begin to grasp your ways:
Our thought alone aspires to thee,
But in your magnitude is lost,
A moment in eternity.
From depths eternal thou invoked
Primordial substances of chaos
Within thine very self thou birthed
Eternity before all time.
And before time from thine self alone
Thou shinest forth within thyself.
All light originates in thee.
Creating all with but a single word
And reaching forth in new creation,
Thou wast, thou art, and thou will ever be!
Thou incarnate the chain of life,
Thou nourish and sustain it.
Thou joinest starts with ends.
Thou bringest life to all through death.
New suns are born from thee
In flowing streams of sparks.
As on a clear and freezing day,
A hoarfrost dusting shines,
And floats, and churns and sparkles,
As do the stars beneath thy vault.
A multitude of shining spheres
Floats off into infinity.
They all fulfill thy laws,
And cast their vivifying rays.
But all these brilliant lanterns-
This mass of glowing crystal-
This roiling crowd of golden waves-
These burning elements-
Or all these gleaming worlds as one-
Compare to thee like night to day.
Compared to thee the earthly realm
Is like a droplet in the sea.
What is this universe I see?
And what am I, compared to thee?
If, in this airy sea, I wish
To multiply a million worlds
By other worlds a hundred times-
Then venture to compare the sum to thee,
All this would be a tiny speck;
So I, compared to thee, am naught.
I'm Naught! But thou shinest through me
With all the splendor of your virtue;
Thou showest yourself through me
Like sun inside a tiny water drop.
I'm Naught! But still I can feel life,
Like something hungering I fly,
I'm always soaring high above.
To be with you is my soul's wish,
It contemplates, reflects and thinks:
If I exist - thou art as well.
Thou art! As nature's order shows,
My heart affirms the same to me,
My reason's sure of it:
Thou art - And I'm no longer naught!
A fraction of the universe's whole,
It seems that I repose in nature's
Critical center where you started
With the creation of corporeal beasts,
And ended with the heav'nly spirits:
Through me, you fused the chain of life.
I am the link of all existing worlds,
I am the outer brink of matter,
I am the focal point of living things,
I am the starting place of the divine;
Although my flesh rots into ash,
My mind commands the thunderbolts,
I'm king - I'm slave - I'm worm - I'm God!
But though I am miraculous,
Whence did I come? - that no one knows.
I could not by myself have risen.
Creator, I am your invention!
I am a creature of your wisdom.
O, source of life, bestower of blessings,
My soul and king!
According to your iron laws
My self eternal must needs pass
Across the borne of death;
My spirit's clothed in mortal garb
And I return through death alone,-
To your eternity - O, father!-
Thou art inscrutable, transcendent!
I understand that all my soul's
Imaginings are powerless
Your shadow to describe;
But when thou must be glorified
To pay such tribute we frail men
One course alone can follow.
We venture upwards to thy realm,
To lose ourselves in thy vast otherness
And shed our tears of gratitude.
Science, religion, and humanity with Dr. Daniel Buxhoeveden
An interview on science, religion, and humanity with Dr. Daniel Buxhoeveden, adjunct and research professor of anthropology at the University of South Carolina at Columbia.
Tuesday, February 21, 2012
Ivan the Terrible and His Son Ivan on November 16, 1581
I've been doing a bit of reading on Czar Ivan IV "the Terrible" lately and have been transfixed by the painting each time I've come across it during my research. It was painted by Ilya Repin in 1885, over 300 years after the event it depicts: Ivan's murder of his own beloved son in a fit of rage. I think this painting captures Ivan in all of his madness, passion, piety, confusion, and terror. It is a stunning depiction of one of the most stunning figures of history.
Sunday, February 19, 2012
The African Roots of Christian Spirituality
Today, Christianity is generally thought of as a largely European and, due to European immigration and influence, North American religious and cultural movement. Christianity's recent and ongoing remarkable growth in the so-called “Global South” of Latin America, Africa, and southern and eastern Asia, however, coupled with a significant decline in adherents to Christianity in Europe, poses a significant challenge to that assumed European hegemony of Christendom.1 There are many new questions that have arisen as a result of these recent changes, including what the decline of Christianity in Europe means for the future of the Western Civilization which it shaped and what new forms Christianity will take as it becomes fused to new cultures. The most central question being asked by Christians from both Europe and Africa is whether these forms will be faithful to the Christianity the world has known for the past 2000 years or will become something else entirely.2
Too often overlooked in these discussions are the monumental contributions that non-Europeans have already made to the Christian faith, even in its supposedly European forms. This is especially true of Africa, whose residents played a central role in Christianity's first several hundred years. Great early and early Medieval Christian figures like the apologist Tertullian, the first Christian to write extensively in Latin, Athanasius and Cyril of Alexandria, whose Christology became the dominant understanding of the nature and role of Jesus to the vast majority of Christians throughout the world, and Augustine of Hippo, arguably the single most influential Christian thinker after the apostle Paul, were all Africans.3 The greatest contribution that Africa made to Christianity, though, was in the practice, piety, and intense devotion of the pioneers of Christian monasticism. Men and women like Anthony the Great, Pachomius the Great, and Syncletica of Alexandria, remembered by subsequent generations of Christians as the Desert Fathers and Mothers, developed a unique ascetic and mystical approach to Christianity which has been a major influence on all subsequent Christian history and continues to shape Christian practice, belief, and culture today.
The roots of Christian monasticism, a dedication to the practices of ascetic struggle and constant prayer coupled with a rejection of normal social expectations like marriage and family life, reach back to the faith's earliest days and even beyond. Judaism, from which Christianity emerged as a new religion, already possessed monastic traditions “like the Essenes or the group at Qumran from which the Dead Sea Scrolls come, or the Therapeutae of Egypt described by Philo of Alexandria.”4 It is not to be overlooked that the latter monastic group was specifically located in Egypt, near Alexandria, the same geographic location in which Christian monasticism would first spring up in its fullest form.
In writings that would later become part of the New Testament, the apostle Paul, writing in the middle of the first century, counseled widows, virgins, and unmarried men to remain unmarried and to use the freedom this afforded them to serve and worship God.5 Bart D. Ehrman, a scholar and professor of early Christian writings, suggests “it may have started with Jesus himself, who anticipated that this world and life as we know it would all come to an abrupt end when God appeared in judgment to overcome the forces of evil in control of this earth and set up his own Kingdom.”6 “If this world is soon to disappear, why be attached to its pleasures?” Ehrman goes on to ask, inviting us into the thought of the early Christians, and concluding, as many of them did, “It is better to prepare for the coming Kingdom, living simply and humbly in expectation of that final day.”7 This was certainly the thinking that led Anthony the Great, the earliest major figure of Christian monasticism, to take up the ascetic way of life.
According to the biography of Anthony written by Athanasius of Alexandria, an influential fourth century bishop of Alexandria, Egypt, Anthony entered into a church one day, “and it happened the Gospel was being read, and he heard the Lord saying to the rich man, 'If thou wouldest be perfect, go and sell that thou hast and give to the poor; and come follow Me and thou shalt have treasure in heaven.'”8 Antony, so Athanasius relates, went out of the church immediately and gave away the entirety of the inheritance he had received from his parents, who had recently died, commended his young sister into the care of an order of Christian virgins in Alexandria, and sojourned to the wilderness to take up the life of a hermit and ascetic.
Though not the first to retreat into the deserts of Egypt, Anthony's example gained such reverence and notoriety that he inspired thousands more to imitate him. After the legalization of Christianity by the first Christian Roman emperor, Constantine I, in 313 and the elevation of Christianity from the status of a persecuted minority religion to that of one with official imperial favor throughout his reign, which lasted until his death in 337, and beyond, ever larger numbers of former pagans began to flock to the churches for conversion. Very often, perhaps more often than not, these conversions were halfhearted and for the purpose of attaining political, social, or economic gain, keeping up with the changing times and trying to remain with the “in-crowd,” rather than being inspired by any real adoption of or devotion to the tenants of Christianity.9 According to Michael A. Smith, a scholar of early Christianity and Baptist minister, this dramatic “growth in numbers was accompanied by a lowering of standards.”10 “The monks,” on the other hand, “aimed to live the Christian life to the full, and felt that continued residence in the 'world' hindered this. They tried to achieve a pure Christianity and a deep communion with God which they considered unattainable in the existing churches.”11 According to scholar and philosopher David Bentley Hart, “enthusiasm for the monastic life became so great that, as a famous quip put it, the desert had become a city.”12
One of the most incredible features of this new enthusiasm was the nature of the practices which so many flocked to the Egyptian deserts to engage in. According to Athanasius, Anthony
In addition to continuing the typical Christian prayer practices, such as the recitation of psalms and liturgical Eucharistic rituals, however infrequently the monks were able to gather for the latter, the monks also developed a new form of prayer, to which they attributed especially great spiritual efficacy. This new method of prayer was first fully described by John Cassian, a European Christian who traveled to Egypt to speak with the monks there, in the late fourth century. In his Conferences, a record of interviews he conducted with some of the most renowned monks of Egypt, Cassian wrote that “every monk in his progress towards continual recollection of God, is accustomed to ponder” a short prayer, “ceaselessly, revolving it in his heart.”16 Though a variety of short prayers were used by the monks, the most commonly used in Cassian's time in the late fourth and early fifth centuries, according to Cassian, was the opening verse of Psalm 70: “O God, make speed to save me; O Lord, make haste to help me.” The monks recited this and other short prayers like it continuously as they worked and ate, and even spoke, read, and slept. The purpose of the extreme ascetic practices, they said, was to train the body in order to make this continuous repetitious prayer possible, “for he cannot possibly keep his hold over it unless he has freed himself from all bodily cares and anxieties.”17

The final goal which the monks set before them was one of union with God via continuous and automatic prayer and recollection of him. In the words of Elaine Pagels, a professor of religion at Princeton University, “Anthony – and others like him – sought the shape of his own soul, hoping to accept the terrors and ecstasies of direct and unremitting encounters with himself and, having mastered himself, to discover his relationship to the Infinite God.”18 This was, ultimately, the purpose behind the asceticism and constant prayer of the monks. John Cassian related that the monks believed that through these practices
Their influence extended well beyond the cloister as well. Their technique of repetitious prayer gave birth to the Rosary and the Jesus Prayer,23 popular extra-liturgical devotional practices in Roman Catholic and Eastern Orthodox Christianity respectively, both involving the repetition of short prayers whose number is tracked by counting on a set of beads, in the case of the former, or knots in a rope, in the case of the latter.24 In addition to this outward introduction of new practices into the repertoire of Christian spirituality, the Desert Fathers also had a remarkable impact on Christianity's core, centering the goal of the Christian life in inner prayer, stillness, and mystical union with God.25 This emphasis on the mystical side of Christianity had a great impact on such influential Christian mystics as Bernard of Clairvaux, Francis of Assisi, George Fox, Seraphim of Sarov, and Thomas Merton; in fact, the mystical tradition of which these and dozens of others were a part and the monastic tradition of which all but one of these was a part would not have existed at all had it not been for the influence of the Desert Fathers.
In addition to their impact on Christian spirituality, the Desert Fathers also had a significant impact on European popular culture throughout the Middle Ages and later times. According to Benedicta Ward, herself a Christian nun in the Anglican tradition, “they have inspired poetry, drama, opera and art as well as withdrawal into solitude and prayer.”26 Whereas the first several centuries of Christians had found both inspiration and entertainment in the accounts of the deaths of the martyrs, such as the famous account of The Passion of Perpetua and Felicitas, perhaps written by the African Christian apologist Tertullian in the early third century, after the legalization of Christianity and the end of the age of the martyrs, the sayings and hagiographies of the Desert Fathers and other monastic saints who followed in their footsteps became standard Christian literary fare.27 Throughout the Middle Ages, the sayings and lives of the great monastic saints were popular Christian literature. “The first and most influential of such biographies” was, according to scholar Jaroslav Pelikan, “Athanasius's Life of Saint Anthony,” the original fourth century account of the original Desert Father.28
Perhaps one of the most famous examples of the place of the Desert Fathers in more recent European popular culture is the 1647 painting of The Temptation of St. Anthony by the Flemish artist David Teniers the Younger.29 Though Teniers' painting is one of the most famous, this same scene has also been depicted by such great artists as Fra Angelico, Hieronymous Bosch, Michelangelo, and Salvador Dalí. The Temptation of St. Anthony also became the title and subject of a novel by the famous author Gustave Flaubert and, more recently, an opera, based upon Flaubert's book, by Bernice Johnson Reagon.30
The Egyptian monks and their brand of Christian spirituality have also shown up in some rather surprising places in Western popular culture. One very recent example is the 1961 novel Franny and Zooey by J.D. Salinger, the author most famous for writing The Catcher in the Rye.31 In the novel, Franny, one of the title characters, carries around a copy of the 19th century anonymously written Russian book The Way of a Pilgrim, a story of a wanderer who travels throughout Russia reading and discussing the writings of the Desert Fathers and practicing their method of repetitive prayer;32 Franny also reveals that she herself prays the Jesus Prayer in a search for mystical experiences and spiritual enlightenment.
The Desert Fathers also had a number of unintended and unexpected effects on the subsequent developments of Christian theology. The most significant of these indirect consequences of the early Egyptian monks' pioneering ways may be the conversion to Christianity of Augustine of Hippo, one of the most important and influential Christian thinkers in all of Christian history, and himself a fellow African. Augustine, whose theology would later become the standard understanding of the Christian faith for the majority of Christians, originally struggled with acceptance of Christianity, wavering in his decision to join the Church. He was deeply impressed, however, by the example of Anthony. He relates his own reaction to first hearing about Anthony in his Confessions, writing as if speaking to God that “we were amazed, hearing Thy wonderful works most fully manifested in times so recent, and almost in our own, wrought in the truth faith and the Catholic Church.”33 Later, in deep emotional turbulence over his indecision in his religious beliefs, he recalled the example of Anthony. According to Augustine,
The Desert Fathers also served the world indirectly by creating a system which would ultimately save European literature, heritage, and culture from destruction. After the collapse of the Western Roman Empire in the fifth century, the monasteries of Europe became repositories of learning, preserving art, literature, and the art of literacy through a period of rapid and dramatic European cultural decline and rampant warfare.36 It was because of the monastics in Europe, part of that tradition founded by their forerunners in Africa, that Europe was able to save the Classical heritage of the Romans and Greeks from being destroyed.
The Desert Fathers were a ragtag group of men and women who came from a variety of backgrounds and had a diversity of characteristics and personalities, as can easily be seen from the titles attached to the names of many of them, such as John “the Dwarf,” Moses “the Strong” (also known as Moses “the Robber” and Moses “the Black”), and Paul “the Hermit.” Some, like Moses, had been outlaws before venturing into the monastic life in the desert, others, like Abba Arsenius, had been educated men of the Roman upper classes, others, like Pachomius, had been soldiers and civil servants, and still others, like Anthony the Great, had been peasants and farmers. As diverse a group as they were, what they all had in common was that they retreated into the deserts of southern Egypt in a search for a more intimate and personal relationship with their God and, in so doing, pioneered a new Christian way of life, one that would spread out through and from Africa and conquer the whole of the Christian world.
The Christian monastic, mystical, spiritual, and devotional traditions of today all trace their lineage back directly to these men and women in the deserts of Egypt in the fourth and fifth centuries. As Christianity continues to dwindle in numbers in Europe, with which continent it has come to be associated in the modern mind, and rises in prominence and numbers in other places in the world, especially Africa, it is in fact not going somewhere new but returning home.
Too often overlooked in these discussions are the monumental contributions that non-Europeans have already made to the Christian faith, even in its supposedly European forms. This is especially true of Africa, whose residents played a central role in Christianity's first several hundred years. Great early and early Medieval Christian figures like the apologist Tertullian, the first Christian to write extensively in Latin, Athanasius and Cyril of Alexandria, whose Christology became the dominant understanding of the nature and role of Jesus to the vast majority of Christians throughout the world, and Augustine of Hippo, arguably the single most influential Christian thinker after the apostle Paul, were all Africans.3 The greatest contribution that Africa made to Christianity, though, was in the practice, piety, and intense devotion of the pioneers of Christian monasticism. Men and women like Anthony the Great, Pachomius the Great, and Syncletica of Alexandria, remembered by subsequent generations of Christians as the Desert Fathers and Mothers, developed a unique ascetic and mystical approach to Christianity which has been a major influence on all subsequent Christian history and continues to shape Christian practice, belief, and culture today.The roots of Christian monasticism, a dedication to the practices of ascetic struggle and constant prayer coupled with a rejection of normal social expectations like marriage and family life, reach back to the faith's earliest days and even beyond. Judaism, from which Christianity emerged as a new religion, already possessed monastic traditions “like the Essenes or the group at Qumran from which the Dead Sea Scrolls come, or the Therapeutae of Egypt described by Philo of Alexandria.”4 It is not to be overlooked that the latter monastic group was specifically located in Egypt, near Alexandria, the same geographic location in which Christian monasticism would first spring up in its fullest form.
In writings that would later become part of the New Testament, the apostle Paul, writing in the middle of the first century, counseled widows, virgins, and unmarried men to remain unmarried and to use the freedom this afforded them to serve and worship God.5 Bart D. Ehrman, a scholar and professor of early Christian writings, suggests “it may have started with Jesus himself, who anticipated that this world and life as we know it would all come to an abrupt end when God appeared in judgment to overcome the forces of evil in control of this earth and set up his own Kingdom.”6 “If this world is soon to disappear, why be attached to its pleasures?” Ehrman goes on to ask, inviting us into the thought of the early Christians, and concluding, as many of them did, “It is better to prepare for the coming Kingdom, living simply and humbly in expectation of that final day.”7 This was certainly the thinking that led Anthony the Great, the earliest major figure of Christian monasticism, to take up the ascetic way of life.
According to the biography of Anthony written by Athanasius of Alexandria, an influential fourth century bishop of Alexandria, Egypt, Anthony entered into a church one day, “and it happened the Gospel was being read, and he heard the Lord saying to the rich man, 'If thou wouldest be perfect, go and sell that thou hast and give to the poor; and come follow Me and thou shalt have treasure in heaven.'”8 Antony, so Athanasius relates, went out of the church immediately and gave away the entirety of the inheritance he had received from his parents, who had recently died, commended his young sister into the care of an order of Christian virgins in Alexandria, and sojourned to the wilderness to take up the life of a hermit and ascetic.
Though not the first to retreat into the deserts of Egypt, Anthony's example gained such reverence and notoriety that he inspired thousands more to imitate him. After the legalization of Christianity by the first Christian Roman emperor, Constantine I, in 313 and the elevation of Christianity from the status of a persecuted minority religion to that of one with official imperial favor throughout his reign, which lasted until his death in 337, and beyond, ever larger numbers of former pagans began to flock to the churches for conversion. Very often, perhaps more often than not, these conversions were halfhearted and for the purpose of attaining political, social, or economic gain, keeping up with the changing times and trying to remain with the “in-crowd,” rather than being inspired by any real adoption of or devotion to the tenants of Christianity.9 According to Michael A. Smith, a scholar of early Christianity and Baptist minister, this dramatic “growth in numbers was accompanied by a lowering of standards.”10 “The monks,” on the other hand, “aimed to live the Christian life to the full, and felt that continued residence in the 'world' hindered this. They tried to achieve a pure Christianity and a deep communion with God which they considered unattainable in the existing churches.”11 According to scholar and philosopher David Bentley Hart, “enthusiasm for the monastic life became so great that, as a famous quip put it, the desert had become a city.”12One of the most incredible features of this new enthusiasm was the nature of the practices which so many flocked to the Egyptian deserts to engage in. According to Athanasius, Anthony
kept vigil to such an extent that he often continued the whole night without sleep; and this not once but often... He ate once a day, after sunset, sometimes once in two days, and often even in four. His food was bread and salt, his drink, water only... A rush mat served him to sleep upon, but for the most part he lay upon the bare ground.13The monks who followed Anthony's example sought to imitate his extreme asceticism. According to Smith, “the main routine of the hermit was prayer and meditation, supplemented by reading of the Bible. Fasting was also important and they attempted many other rigorous feats such as standing for hours while praying.”14 This “extreme deprivation taught self-mastery, and was itself a physical form of prayer.”15
In addition to continuing the typical Christian prayer practices, such as the recitation of psalms and liturgical Eucharistic rituals, however infrequently the monks were able to gather for the latter, the monks also developed a new form of prayer, to which they attributed especially great spiritual efficacy. This new method of prayer was first fully described by John Cassian, a European Christian who traveled to Egypt to speak with the monks there, in the late fourth century. In his Conferences, a record of interviews he conducted with some of the most renowned monks of Egypt, Cassian wrote that “every monk in his progress towards continual recollection of God, is accustomed to ponder” a short prayer, “ceaselessly, revolving it in his heart.”16 Though a variety of short prayers were used by the monks, the most commonly used in Cassian's time in the late fourth and early fifth centuries, according to Cassian, was the opening verse of Psalm 70: “O God, make speed to save me; O Lord, make haste to help me.” The monks recited this and other short prayers like it continuously as they worked and ate, and even spoke, read, and slept. The purpose of the extreme ascetic practices, they said, was to train the body in order to make this continuous repetitious prayer possible, “for he cannot possibly keep his hold over it unless he has freed himself from all bodily cares and anxieties.”17

The final goal which the monks set before them was one of union with God via continuous and automatic prayer and recollection of him. In the words of Elaine Pagels, a professor of religion at Princeton University, “Anthony – and others like him – sought the shape of his own soul, hoping to accept the terrors and ecstasies of direct and unremitting encounters with himself and, having mastered himself, to discover his relationship to the Infinite God.”18 This was, ultimately, the purpose behind the asceticism and constant prayer of the monks. John Cassian related that the monks believed that through these practices
our mind will reach that incorruptible prayer … [which is characterized by being] ... not merely not engaged in gazing on any image, but is actually distinguished by the use of no words or utterances; but with the purpose of the mind all on fire, is produced through ecstasy of heart by some unaccountable keenness of spirit, and the mind being thus affected without the aid of the senses or any visible material pours it forth to God with groanings and sighs that cannot be uttered.19One of the stories of the Desert Fathers, recorded in one of the several collections of the sayings and doings of the early Egyptian monks which made very popular reading throughout the Middle Ages, records an even more vivid description of the spiritual goal the monks set forth for themselves. According to the dramatic short story,
Abba20 Lot went to Abba Joseph and said, 'Abba, as far as I can, I keep a moderate rule, with a little fasting, and prayer, and meditation, and quiet: and as far as I can I try to cleanse my heart of evil thoughts. What else should I do?' Then the hermit stood up and spread out his hands to heaven, and his fingers shone like ten flames of fire, and he said, 'If you will, you can become all flame.'21The effect that this vibrant new Christian spirituality, intensely ascetic and mystical, had upon the popular consciousness, faith, and practice of Christians of later generations cannot be overstated. The Egyptian monks provided inspiration to men like Benedict of Nursia, whose Rule, based in large part on the ways of the Desert Fathers as recorded in the collections of their sayings and in the writings of John Cassian, became the standard monastic discipline in Western Europe through the Middle Ages and beyond.22
Their influence extended well beyond the cloister as well. Their technique of repetitious prayer gave birth to the Rosary and the Jesus Prayer,23 popular extra-liturgical devotional practices in Roman Catholic and Eastern Orthodox Christianity respectively, both involving the repetition of short prayers whose number is tracked by counting on a set of beads, in the case of the former, or knots in a rope, in the case of the latter.24 In addition to this outward introduction of new practices into the repertoire of Christian spirituality, the Desert Fathers also had a remarkable impact on Christianity's core, centering the goal of the Christian life in inner prayer, stillness, and mystical union with God.25 This emphasis on the mystical side of Christianity had a great impact on such influential Christian mystics as Bernard of Clairvaux, Francis of Assisi, George Fox, Seraphim of Sarov, and Thomas Merton; in fact, the mystical tradition of which these and dozens of others were a part and the monastic tradition of which all but one of these was a part would not have existed at all had it not been for the influence of the Desert Fathers.In addition to their impact on Christian spirituality, the Desert Fathers also had a significant impact on European popular culture throughout the Middle Ages and later times. According to Benedicta Ward, herself a Christian nun in the Anglican tradition, “they have inspired poetry, drama, opera and art as well as withdrawal into solitude and prayer.”26 Whereas the first several centuries of Christians had found both inspiration and entertainment in the accounts of the deaths of the martyrs, such as the famous account of The Passion of Perpetua and Felicitas, perhaps written by the African Christian apologist Tertullian in the early third century, after the legalization of Christianity and the end of the age of the martyrs, the sayings and hagiographies of the Desert Fathers and other monastic saints who followed in their footsteps became standard Christian literary fare.27 Throughout the Middle Ages, the sayings and lives of the great monastic saints were popular Christian literature. “The first and most influential of such biographies” was, according to scholar Jaroslav Pelikan, “Athanasius's Life of Saint Anthony,” the original fourth century account of the original Desert Father.28
Perhaps one of the most famous examples of the place of the Desert Fathers in more recent European popular culture is the 1647 painting of The Temptation of St. Anthony by the Flemish artist David Teniers the Younger.29 Though Teniers' painting is one of the most famous, this same scene has also been depicted by such great artists as Fra Angelico, Hieronymous Bosch, Michelangelo, and Salvador Dalí. The Temptation of St. Anthony also became the title and subject of a novel by the famous author Gustave Flaubert and, more recently, an opera, based upon Flaubert's book, by Bernice Johnson Reagon.30The Egyptian monks and their brand of Christian spirituality have also shown up in some rather surprising places in Western popular culture. One very recent example is the 1961 novel Franny and Zooey by J.D. Salinger, the author most famous for writing The Catcher in the Rye.31 In the novel, Franny, one of the title characters, carries around a copy of the 19th century anonymously written Russian book The Way of a Pilgrim, a story of a wanderer who travels throughout Russia reading and discussing the writings of the Desert Fathers and practicing their method of repetitive prayer;32 Franny also reveals that she herself prays the Jesus Prayer in a search for mystical experiences and spiritual enlightenment.
The Desert Fathers also had a number of unintended and unexpected effects on the subsequent developments of Christian theology. The most significant of these indirect consequences of the early Egyptian monks' pioneering ways may be the conversion to Christianity of Augustine of Hippo, one of the most important and influential Christian thinkers in all of Christian history, and himself a fellow African. Augustine, whose theology would later become the standard understanding of the Christian faith for the majority of Christians, originally struggled with acceptance of Christianity, wavering in his decision to join the Church. He was deeply impressed, however, by the example of Anthony. He relates his own reaction to first hearing about Anthony in his Confessions, writing as if speaking to God that “we were amazed, hearing Thy wonderful works most fully manifested in times so recent, and almost in our own, wrought in the truth faith and the Catholic Church.”33 Later, in deep emotional turbulence over his indecision in his religious beliefs, he recalled the example of Anthony. According to Augustine,
I had heard of Anthony, that, accidentally coming in whilst the gospel was being read, he received the admonition as if what was read were addressed to him, “Go and sell that thou hast, and give to the poor, and thou shalt have treasure in heaven; and come and follow me.” And by such oracle was he forthwith converted unto Thee. So quickly I returned to the place where Alypius was sitting; for there had I put down the volume of the apostles, when I rose thence. I grasped, opened, and in silence read that paragraph on which my eyes first fell.34The passage which Augustine opened up to and read, Romans 13:13-14,35 struck him deeply and finally convinced him to convert to Christianity. The Desert Fathers, then, were indirectly responsible for inspiring one of the most important figures in Christian history to become a Christian in the first place.
The Desert Fathers also served the world indirectly by creating a system which would ultimately save European literature, heritage, and culture from destruction. After the collapse of the Western Roman Empire in the fifth century, the monasteries of Europe became repositories of learning, preserving art, literature, and the art of literacy through a period of rapid and dramatic European cultural decline and rampant warfare.36 It was because of the monastics in Europe, part of that tradition founded by their forerunners in Africa, that Europe was able to save the Classical heritage of the Romans and Greeks from being destroyed.The Desert Fathers were a ragtag group of men and women who came from a variety of backgrounds and had a diversity of characteristics and personalities, as can easily be seen from the titles attached to the names of many of them, such as John “the Dwarf,” Moses “the Strong” (also known as Moses “the Robber” and Moses “the Black”), and Paul “the Hermit.” Some, like Moses, had been outlaws before venturing into the monastic life in the desert, others, like Abba Arsenius, had been educated men of the Roman upper classes, others, like Pachomius, had been soldiers and civil servants, and still others, like Anthony the Great, had been peasants and farmers. As diverse a group as they were, what they all had in common was that they retreated into the deserts of southern Egypt in a search for a more intimate and personal relationship with their God and, in so doing, pioneered a new Christian way of life, one that would spread out through and from Africa and conquer the whole of the Christian world.
The Christian monastic, mystical, spiritual, and devotional traditions of today all trace their lineage back directly to these men and women in the deserts of Egypt in the fourth and fifth centuries. As Christianity continues to dwindle in numbers in Europe, with which continent it has come to be associated in the modern mind, and rises in prominence and numbers in other places in the world, especially Africa, it is in fact not going somewhere new but returning home.
Notes
1 Philip Jenkins, “Believing in the Global South,” First Things, December, 2006, accessed 11 November 2011, http://www.firstthings.com/article/2007/01/believing-in-the-global-south-17.
2 Philip Jenkins, The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia -- and How It Died
(New York: HarperCollins, 2009), 3.
3 Hans Küng, Great Christian Thinkers: Paul, Origen, Augustine, Aquinas, Luther, Schleiermacher, Barth
(New York: Continuum, 1999), 71.
4 Henry Chadwick, The Early Church
(New York: Dorset Press, 1986), 176.
5 For instance, 1 Corinthians 7.
6 Bart D. Ehrman, Lost Christianities: The Battles for Scripture and the Faiths We Never Knew
(New York: Oxford University Press, 2005), 44.
7 Ibid., 45.
8 Athanasius, “Life of Antony,” in Nicene and Post-Nicene Fathers, Second Series, Vol. 4: Athanasius: Selected Works and Letters
, eds. Philip Schaff and Henry Wace (Peabody: Hendrickson Publishers, Inc., 2004), 196.
9 Jaroslav Pelikan, Jesus Through the Centuries: His Place in the History of Culture
(New Haven: Yale University Press, 1985), 113-4.
10 Michael A. Smith, “Christian Ascetics and Monks,” in Eerdmans' Handbook to the History of Christianity
, ed. Tim Dowley (Herts: Lion Publishing, 1977), 205.
11 Ibid.
12 David Bentley Hart, The Story of Christianity: An Illustrated History of 2000 Years of the Christian Faith
(London: Quercus, 2007), 56.
13 Athanasius, 197-8.
14 Smith, 205.
15 Frederica Matthewes-Green, The Jesus Prayer: The Ancient Desert Prayer that Tunes the Heart to God
(Brewster: Paraclete Press, 2009), 4.
16 John Cassian, “The Conferences,” part 10, chapter 10, in Nicene and Post-Nicene Fathers, Second Series, Vol. 11: Sulpitius Severus, Vincent of Lerins, John Cassian
, eds. Philip Schaff and Henry Wace (Peabody: Hendrickson Publishers, Inc., 1994), 405.
17 Ibid.
18 Elaine Pagels, Adam, Eve, and the Serpent: Sex and Politics in Early Christianity
(New York: Vintage Books, 1989), 82.
19 John Cassian, 408.
20 “Abba” is the word in many Semitic languages for “father.” It is still used by most Middle Eastern Christians as a form of address for their priests and monks and is the origin of the English word “abbot,” used for the head of male monasteries.
21 Benedicta Ward, tr., The Desert Fathers: Sayings of the Early Christian Monks
(New York: Penguin Books, 2003), 131.
22 Ibid., xx.
23 “Lord Jesus Christ, Son of God, have mercy upon me, a sinner.”
24 Matthewes-Green, 5.
25 Bishop Kallistos Ware, The Orthodox Way
(Crestwood: St. Vladimir's Seminary Press, 1995), 122.
26 Ward, xxii.
27 Jaroslav Pelikan, The Christian Tradition: A History of the Development of Doctrine, Vol. 1: The Emergence of the Catholic Tradition (100-600)
(Chicago: The University of Chicago Press, 1975), 100.
28 Ibid., 135.
29 Hart, 58.
30 Lydia Mann, “Toshi Reagon: Music for Your Life: Temptation of St. Anthony” (2011) http://www.toshireagon.com/parisTemptation.shtml (accessed 12 November 2011).
31 J.D. Salinger, Franny and Zooey
(New York: Back Bay Books, 2001).
32 Helen Bacovcin, tr., The Way of a Pilgrim and The Pilgrim Continues His Way
(New York: Doubleday, 2003).
33 Augustine, “The Confessions of St. Augustin,” Book 8, Paragraph 14, in Nicene and Post-Nicene Fathers, First Series, Vol. 1: The Confessions and Letters of Augustine, with a Sketch of his Life and Work
, eds. Philip Schaff and Henry Wace (Peabody: Hendrickson Publishers, Inc., 1994), 122.
34 Augustine, Book 8, Paragraph 29, 127.
35 As quoted by Augustine in his Confessions, “Not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying; but put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfill the lusts thereof.”
36 Thomas Cahill, How the Irish Saved Civilization
(New York: Anchor Books, 1996), 159.
Bibliography
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Augustine of Hippo. “The Confessions of St. Augustin.” In Nicene and Post-Nicene Fathers, First Series, Vol. 1: The Confessions and Letters of Augustine, with a Sketch of his Life and Work
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. New York: Doubleday, 2003.
Cahill, Thomas. How the Irish Saved Civilization
. New York: Anchor Books, 1996.
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. Editors Philip Schaff and Henry Wace. Peabody: Hendrickson Publishers, Inc., 1994.
Chadwick, Henry. The Early Church
. New York: Dorset Press, 1986.
Ehrman, Bart D. Lost Christianities: The Battles for Scripture and the Faiths We Never Knew
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